About

The Civic Gospel is a photography project that was conceived through my MA photography course. My work has evolved through three different stages and is currently ongoing.

My initial response began from reflections on walks during covid and the imprints that were evident from these urban spaces.

There were memories and legacies of people lost all around. I hadn’t realised how important these space were and are and how much these experiences and this environment has shaped me.

This concept was explored through moving image constructed of analogue photography and long exposure imagery at night. [see previous work]

This then evolved into considered analysis of the concrete that dominates these spaces and our associations and prejudices with this material. This was explored through photography, screen printing and making clay formed concrete. [see previous work]

The culmination of this became The Civic Gospel. A study of the culture of Birmingham through our urban spaces, inspired by the ideology of George Dawson. The importance of understanding these spaces and recognising the (problematic) histories, legacies and considered design that play host to our interactions, connections and experiences. A celebration of real Brummy culture and the significance of recognising that this is culture.

There are no people in my imagery. I don’t feel I have the right to represent or include others and assume their stories. My intentions are to listen, educate, promote conversation and share experiences and alternate histories that are subject to dismissal. To promote the importance of our shared urban spaces and for the audience to see their own stories in these photographs.

I do share through the catalogue some of these histories from my own experience, research and other people’s stories.

Due to Birmingham’s constant cycle of change, some of the images I have taken have become an archive, as many buildings and spaces do not exist anymore.

With a lot of our heritage under threat, it is crucial to record these spaces and preserve our connected histories in any way we can.

This project was explored through photography on slide film and image transfers to cardboard, glass and textiles.

NB – This work is ongoing and therefore subject to revision and change. If there is anything incorrect, misquoted or has links to problematic histories or experiences then this will be adapted as required.

If you are interested in collaborating or sharing stories then please contact me.